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Ivory II - Grand Pianos: What makes it different? Part 1 In this video, Michael Babbitt explores some of the features that separate Ivory II from other virtual pianos, including half pedaling, timbre velocity interpolation, sympathetic string vibration and harmonic resonance modeling. Ivory II - Grand Pianos: What makes it different? Oka Laila Kosam Old Telugu Mp3 Songs Free Download. Part 2 In this video, Michael Babbitt presents a further overview of Ivory II’s unique performance features, including lid position, pedal noise, release samples, EQ, timbre shifting, and the synth layer. Robin Bigwood, Sound On Sound Magazine 'I've reviewed quite a number of piano sample libraries over the years, and some top flight stage pianos too.
All of them have been good in their own way, but only a very few have felt as mature and musically rewarding as Ivory II Grand Pianos does. It ticks all the boxes: sound quality, playability, flexibility. And then it ticks a few more: reliability, efficiency, ease of use. This is industry standard, production ready software that's a joy to have around.
There's little else to say. Just go and play it.'
Synthogy Ivory Steinway German D full instalation, One of the biggest torrents indexer. Synthogy Ivory 1. 5 Full Hybrid keygen included. Torrent Synthogys Ivory II American Concert D piano plug-in puts you at the helm of the. Synthogys Ivory II Grand Pianos continues the original Ivorys legacy of. Make your snare drums.
Read the full review. Stephen Fortner, Keyboard Magazine 'Superb. Best in class. Pick a superlative, and it won’t adequately convey how real Ivory II sounds, nor how immersed in the music you’ll feel when playing it. If you do a lot of productions that call for piano, I could see wanting additional plug-in colors on your palette; if you just need the occasional rock piano, I could see going less expensive.
But if you want one software piano that can cover any musical genre, is equally facile onstage or in the studio, and makes zero sonic compromises, Ivory II is the platinum standard. Long live the king!'
Just did my first group of mixes with Ivory. All I can say about the sound is breath taking and stunning. I was getting 'Slow Disk' messages and some crackles when the message would show. Huge let down. The samples are on a 7200 WD Serial ATA partition. The rest of the audio was on the same drive but different partition.
Can this be cured by Ivory settings (buffer) or Playback Engine settings? I have not tried to do any work arounds yet like: Make all tracks inactive except Ivory and print track then reactivate mix or reassign other audio to FW drive. System: G5 dual 2 1.5 GB RAM HD2 Accel PT 6.7cs8 Ivory 1.03. Tony, My work is primarily 'pop theater' (broadway cast and concept albums - but we don't really like 'braodway' and we tend to think outside the box and do music that's 'dramatic' and 'theatrical' as opposed to the more traditional stuff) -- and I find the Ivory Bosendorfer to be a great instrument for most of my work.
I think Ivory's steinway is too 'steinway' -- that is a very 'round' mid-rangy classic steinway -- yes, you can eq, but for vocal accompaniment, there are better instruments (I'm a Yamaha concert artist and really love a good CFIIIS for my concerts). The Ivory C7 is a little 'thin' for my taste.
Goldilocks likes the Bosey. If you play with the Ivory settings, you can make a piano that will fool anyone in the mix. Oh, I use a Yamaha Disklavier as my controller, so I may have a slight advantage, as the DKV spits out a ton of controllers and velocity scales are WAY more accurate than most midi controllers. Fortunatley, ivory responds well to the controllers. (why the hell does he use samples when he has a Disklavier DC5A? -- it simply sounds better.
DKV feels great, it's real. I can edit my performance. And I use the samples for the final.
Never have to pay a piano tuner to standby.) I'm also doing a solo piano project and will release the audio CD, along with Disklavier files -- so in effect only the controller data really matters! As for Rob's disk question, I haven't solved it 100% (ut I'm pretty close). I have a G5 and many external firewire drives (as well as 2 big internal SATA). 97% of the time, putting the ivory samples on a FW400, pro tools sessions (up to 50 disk tracks or so) on SATA #2, OS & application on SATA #1 seems to be ok - hw buffer 256, DAE buffer @ 2. Raising DAE buffer to 4 can help 'slow disk'. Turning off soft pedal samples helps a lot. Turning off release samples also helps.
Lowering voices to 48 or less. But sometimes I need 64 or more voices. As Synthogy releases updates, each release is better than the previous. They have been great with throwing beta releases at me when I was on deadline. They are continually improving the product.
I messed around with a RAID -- and because my G5 logicboard was fried, I didn't really get the results I wanted. As soon my current project is delivered (next week) I will try again. Synthogy says a RAID 1 is one way to improve Ivory performance. I am also poking around at SATA and FW800 RAIDs-- the FW800 solution appeals to me as there is no PCI slot used.
Since my G5 and HD cards were replaced, Ivory has been performing well, only the occasional slow disc (not enough to hear any issues) and I usually fixed the problem by turning off some bandwidth hog or lower voices or increase buffer. And that's with samples on a single channel FW400.
Maybe the raid will make it better? I'll report back. Quote: Just as a point of reference: 1. What pianos worked the best for your mixes, Steinway, Bosendorfer or Yamaha? I think it just depends on the music.
The Bosendorfer 290 Imperial Grand is kinda hard to beat for solo. It has a full rich tambre which is beautiful on it's own but on a full mix might get a little muddy or lost. One of these mixes I used the 'German Concert D' with a bump on the Key Noise. I own a Steinway too and it would take more than the price of Ivory to get it to sound the way Ivory does.
(recorded) One of the songs I felt needed a 'Jazz C7' The presets are great and then you can spend hours tweaking too and it still sounds great. Just depends on what you need. What style of music were you working with? I was working with a young composer for a score on an indie documentary. (pop, ballad, jazz, ambient new age) But Ivory is so versital you can use it on virtually anything piano. This blew me away: When you strike a note, say middle C, with the sustain pedal off and let the note sustain you get the sound of just that note.
When you hold the sustain pedal down and strike the same note you get all sympethetic vibration from the overtones of all the strings!!!! You can really hear the difference in the headphones. Ludacris Theater Of The Mind Rar Files. I'll have to look into the FW800. I tried a partition on my system drive and it did not work for me.